Game of Thrones

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1 Kasım 2014 Cumartesi

18.Unsullied

The Unsullied are eunuch slave soldiers, trained from a young age in Astapor to unquestioning obedience and martial prowess. They are used as guards all over the Free Cities. They are sold by the century or the thousand. They make excellent guards, do not loot and will never rape.They also worship a goddess of their own, whose name is kept in secret among them but is known as the Lady of Spears, the Bride of Battle and the Mother of Hosts.
They were most famously used in the Battle of Qohor, where three thousand Unsullied held back a Dothraki khalasar over fifty thousand strong. Only 600 of the Unsullied survived, having killed 12,000 of the Dothraki. To honor the Unsullied, the Dothraki rode in before the Unsullied line, throwing their cut braids down in front of them.

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17.I've seen a man who could change his face, the way that other men change their clothes- FACELESS MAN


The Faceless Men are an organization based in the Free City of Braavos, though their members range far and wide across bothEssos and Westeros. They are reportedly a guild of assassins who command exorbitant fees, but have a reputation for success that is unparalleled by any comparable organization.
The Faceless Men possess the ability to physically change their faces, shapeshifting so that they appear as an entirely new person.
Their headquarters are located in the House of Black and White, a temple dedicated to the God of Death.
I believe the endgame of the Faceless Men is, and how they mean to achieve it. If you look at the text there are clues that show dragon eggs can be extraordinarily dangerous. Additionally, the Faceless Men have clear ideals that guide them beyond the simple desire to spread the gift. I believe the Faceless Men will use the dragon egg they obtained from Euron Greyjoy to attempt another Doom.

The Faceless Men and the Doom
In AFFC, the Kindly Man tells Arya about the history of the Faceless Men, saying,
"All gods have their instruments, men and women who serve them and help to work their will on earth. The slaves were not crying out to a hundred different gods, as it seemed, but to one god with a hundred different faces . . . and he was that god’s instrument. That very night he chose the most wretched of the slaves, the one who had prayed most earnestly for release, and freed him from his bondage. The first gift had been given." Arya drew back from him. "He killed the slave?" That did not sound right. "He should have killed the masters!" "He would bring the gift to them as well . . . but that is a tale for another day, one best shared with no one."
I believe the Kindly Man is insinuating that the Faceless Men brought about the Doom (giving the gift to the masters) and that he is waiting until he truly believes Arya is "no one" to tell her the full story.
About 600 years before the beginning of the series Hardhome is destroyed.
Hardhome had been halfway toward becoming a town, the only true town north of the Wall, until the night six hundred years ago when hell had swallowed it. Its people had been carried off into slavery or slaughtered for meat, depending on which version of the tale you believed, their homes and halls consumed in a conflagration that burned so hot that watchers on the Wall far to the south had thought the sun was rising in the north. Afterward ashes rained down on haunted forest and Shivering Sea alike for almost half a year. Traders reported finding only nightmarish devastation where Hardhome had stood, a landscape of charred trees and burned bones, waters choked with swollen corpses, blood-chilling shrieks echoing from the cave mouths that pocked the great cliff that loomed above the settlement.
In ADWD, Tyrion recalls what he knows of the Doom, thinking,
It was written that on the day of the Doom every hill for five hundred miles had split asunder to fill the air with ash and smoke and fire, blazes so hot and hungry that even the dragons in the sky were engulfed and consumed. Great rents had opened in the earth, swallowing palaces, temples, entire towns. Lakes boiled or turned to acid, mountains burst, fiery fountains spewed molten rock a thousand feet into the air, red clouds rained down dragonglass and the black blood of demons, and to the north the ground splintered and collapsed and fell in on itself and an angry sea came rushing in.
To me these two tales sound remarkably similar. The destruction of Hardhome happened nearly 200 years prior to the Doom, leading me to believe it was a test run by the Faceless Men. However, how did the Faceless Men cause these events to occur?
Dragon Eggs Throughout the series there are many mentions of the dangers associated with attempting to hatch dragon eggs. In ASOS, Lord Alester Florent says,
Did we learn nothing from Aerion Brightfire, from the nine mages, from the alchemists? Did we learn nothing from Summerhall? No good has ever come from these dreams of dragons.
In ADWD, Daenerys, reflects,
ending at Summerhall in sorcery, fire, and grief.
In AFFC, Aemon reflects on Summerhall saying,
the smoke was from the fire that devoured Summerhall on the day of his [Rhaegar's] birth
Additionally, the Ghost of High Heart says when she sees Arya,
"I see you. I see you, wolf child. Blood child. I thought it was the lord who smelled of death... You are cruel to come to my hill, cruel. I gorged on grief at Summerhall, I need none of yours. Begone from here, dark heart. Begone!"

Clearly she has suffered from what occurred at Summerhall. However, I have always found it strange that when she sees Arya she immediately thinks of Summerhall. I think the Ghost of High Heart may see Arya's future as a Faceless Man and some part of unconscious connects the Faceless Men to Summerhall.
Clearly some cataclysmic event costing lives occurred at Summerhall. Additionally, Alester Florent speaks of other attempts to hatch dragon eggs all of which ended in disaster. I want to say that I do not necessarily think the Faceless Men caused all of these events to go wrong (although it is possible) the rest of the theory is not dependent upon that. But rather to show that hatching dragon eggs is a very dangerous business. Even when Daenerys successfully hatches her eggs, the event seems dangerous and Daenerys sees strange visions in the flames.
My theory is that the Faceless men did something with dragon eggs inside the valcanos at Hardhome and the Fourteen Fires (perhaps fourteen eggs in fourteen different volcanoes here) to cause destruction. When the Valyrians first discovered the dragons they were lairing in the Fourteen Fires. However, I believe attempts by humans using sorcery to hatch dragon eggs in these areas could have disastrous results.
Euron Greyjoy, Jaqen H'ghar, and the Dragon Egg
Like most people I believe, Euron paid the Faceless Men with a dragon egg to kill Balon. Relevant quotes for this theory are the Ghost of High Heart saying,
"I dreamt of a man without a face, waiting on a bridge that swayed and swung. On his shoulder perched a drowned crow with seaweed hanging from his wings."
We know from Littlefinger in AGOT that the price for the Faceless Men to kill a King would be astronomical but we also know from Arya that the price is always payable if the client is willing. Euron claims that he once had a dragon's egg but,
"I threw it into the sea during one of my dark moods."
Euron is insane, but he is not stupid. He would not get ride of something so valuable and receive nothing in return. Thus, I believe the Faceless Men have that Dragon Egg.
Along with most people I believe Jaqen has infiltrated the Citadel as Pate and is attempting to steal the only remaining copy of the book "The Death of the Dragons" that Tyrion mentions in ADWD. I think this is insurance for the Faceless Men should their main attempt to kill Daenery's dragons fail and they need another way to kill them.
The Endgame
There is a lot of instances of the Braavosi sharing their opinions of dragons which is not high. Even if the Braavosi and the Faceless Men think Daenerys is doing a good thing by freeing slaves. I think the fear the mere existence of dragons. What if Daenerys dies, who controls the dragons then? Deanerys has already shown signs of being unable to control her dragons and I think the Faceless Men see this as a problem.
I believe the Faceless Men know Daenerys will eventually come to Westeros and they will allow her to free slaves across Essos on her way there. One place I think they know Daenerys will visit is Dragonstone. Not only is it the ancestral home of the Targaryen's but it is the place of Daenerys' birth. We know that the Dragonmont on Dragonstone is an active valcano and I think the Faceless Men will attempt to recreate the Doom with Euron's dragon egg here when Daenerys (eventually) arrives.




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16. Stark is grey and Greyjoy's black, but it seems we're both windy-THEON GREYJOY

Theon Greyjoy, on the show, is an heir to the hardscrabble, piratical, profoundly macho nobles of the Iron Islands. He can’t contend for the throne, but as a B-list character, he wreaks a fair amount of havoc in the War of the Five Kings by betraying the central Stark family when they allow him some power. The Starks are basically good guys, but by raising Theon as a bastard in Winterfell, instead of in his rightful place, they rob him of what he sees as his birthright, identity, and manhood. This chip on his shoulder drives his sexual insecurity, which in turn drives his terrible behavior, eventually leading to his torture and neutering.
Theon’s saga appears within a familiar post-Tolkien world, a version of what Umberto Eco once called “fantastic neomedievalism.” Westeros is a feudal, vaguely British place, with no cell phones and three dragons. It’s recognizably high fantasy, a genre once considered a sure-fire money-loser on mainstream TV. But the show is more than pastoral escapism and emphatically not a critique of modernity from the vantage point of a bucolic past. Westeros is no idyll: it’s steeped in brutal, backstabbing realpolitik. Still, like other high fantasies, Westeros plays into a contemporary longing for a more direct, unmediated, “authentic” life. “Authentic” can mean a reactionary, gendered longing for a world where men get to be “real” men. Or, in our current technological reality, so full of virtual interactions and deadlocked bureaucracies, “authentic” can also mean a world where power stands up and calls itself by name. We might see Theon, therefore, as a kind of stand-in for the modern, self-alienated viewer. His weaknesses, longings, and identity issues are important to a series fundamentally about gender and power — a series that cuts off his penis as part of a bid to be recognized as more than escapism, as a serious cultural force.
A close reading, then, of the dick in a box: Ramsay Snow mails Theon’s member to his father as a power play in the ongoing war. Snow wants to blackmail Greyjoy into withdrawing his soldiers from the north, which is now under Ramsay’s control. Lord Balon, a repellent and bitter old father, dismisses the grisly package and shows no interest in preventing the torture of the rest of Theon’s body. He knows that his son can no longer continue his bloodline. The penis is thus metonymically Theon’s name, and without his name and seigniorial function, Theon’s soul and limbs are of no importance to his father.
Lord Balon first abandoned Theon long ago, leaving him with the Stark family in a compromise intended to hold the peace. On the show, it’s not entirely clear how this adoption was intended to function — was it meant to punish Lord Balon by robbing him of his son while bringing the houses closer together? Or was the aim to hold the child’s life over Lord Balon forever more, as a kind of preemptive threat? Either way, the abandonment results in Theon’s deeply conflicted sense of self.
His sister, by contrast, is raised like a first son, and grows into a more noble person than both her brother and her father. Valuing her brother’s soul and the rest of his body, she “mans up” and sets sail with troops of her own to get him back. Ramsay’s package thus has the opposite of its intended effect: in a way, it makes Theon’s prick stronger. Theon can’t get Ros, a prostitute, to sleep with him for free (in direct contrast with Tyrion’s squire Podrick, of the house of Payne, whose dick is evidently so amazing that a whole group of whores feel compelled to spend time with it gratis). But Theon’s penis sets his sister’s troops in motion: detached from his body, it finally exerts some power and leadership on Theon’s behalf. Theon’s detached penis directly provokes a female warrior to take charge and lead her soldiers into battle in his name. Fantasy world, indeed.
Even before his torture, Theon wanted his life to feel different, more direct. The Starks treated him well. At least, they treated his physical body well. After Theon turns on the Starks and attacks Winterfell, he asks the tutor he grew up with, “Do you know what it’s like to be told how lucky you are to be someone’s prisoner?” He has a warm bed and money for the occasional prostitute, but he’s emotionally tormented. This crisis of identity is the source of his obsession with sex; away from the Iron Islands, he always already felt emasculated. He tells Ros, “I don’t want to pay for it” (she tells him to get a wife). With or without the fee, he will fuck the same woman. But like the self-alienated TV viewer on her couch, Theon wants a less mediated, more authentic ride.
Theon’s Winterfell prison, therefore, is a prison of the soul. The sentence that Theon lives out before he is tortured is not one of “unbearable punishments” but of “suspended rights,” as Foucault describes our modern penitentiary-based system. Foucault contrasts modern with feudal societies, which were defined by forms of spectacular punishment. Western civilization moved away from drawing-and-quartering to psychological evaluations and prison sentences. The body becomes “caught up in a system of constraints and privations, obligations and prohibitions.” The Panopticon replaces public torture. “From being an art of unbearable sensations punishment has become an economy of suspended rights.” Foucault describes the alienating experience of living in this economy of distributed bureaucratic violence, surveilled by technicians, as a system that both constitutes and punishes the human soul.
In the feudal system, torture enacts and consolidates the power of the king on the body of the prisoner. In our regime, capital punishment is hidden away, while courts concern themselves with prisoners’ motives and mental states. Westeros therefore responds in part to a modern longing for royal decrees — even cruel ones — as an escape from Foucault’s false “utopia of judicial reticence.” Instead of secretive, hidden, distributed violence that attempts to control individuals’ souls, Westeros promises clear lines of power and a forthright relationship with individuals’ bodies — even if that relationship is violent.
Theon’s self-alienation both telegraphs and throws into relief that modern longing. In an hour that’s servicing at least eight major plots, the show spends an otherwise curious amount of time with young Greyjoy and his experience. But the show’s continuing interest in his desire for “authenticity” tracks the show’s interest in itself. These people are screaming inside, I am so not Robb Stark right now. 
Ramsay gets the information he wants out of Theon by being nice to him, like the Starks were. The torture is thus unnecessary, aesthetic. It’s deeply individualized and personal. Ramsay is a true sadist: he uses physical pain to obliterate the world of constraints, privations, obligations, and prohibitions. If what Theon wanted was for someone to pay attention and treat him as a Greyjoy, then his wish has been granted tenfold, for he is tortured because of his Ironborn name. Ramsay breaks Theon’s spirit by demanding that he call himself “Reek.” But, ironically, by going to such great lengths to efface the name, Ramsay validates Reek’s status as a Greyjoy.
Theon’s torture is not like Foucault’s drawing-and-quartering in the important respect that it’s private. It doesn’t function within the world of the show as a spectacle to reinforce the power of the king. Instead, it creates a fetishistic dynamic among Ramsay, Theon, and audience that emphasizes the show’s power over the viewer. After Ramsay cuts off Theon’s penis, he sits down and begins to eat something sausage-shaped. He cuts off a piece and holds it up. For a moment, both Theon and the viewer are led to believe that he’s eating Theon’s penis. Ramsay pauses, for a long nauseating second, before he says it’s just a sausage.
The nasty trick visually aligns the viewer, again, with Theon. Watching Ramsay from Theon’s perspective, the viewer is physically reminded of her own body, again forced into a self-reflexive assessment of Game of Thrones. Did I think he was eating a penis? How far will this show go? How far will I go? Was I so angry with Theon for betraying Robb that I wanted him to be tortured? For what am I being punished? Did I participate in this not-for-broadcast horror? Is this nausea the authentic experience I came looking for? What is it that I’m paying for by paying for cable?
Either that, or the viewer thinks that HBO is just torturing her because it can — exerting narrative power for power’s sake. The viewer feels then that while she is happy to entertain criticisms of masculinity, she comes to Westeros to escape, and this no longer feels like escape. Behind the torture scenes and the “Red Wedding” episode, she feels not an exploration of the nature of power but the callous hand of a calculating author. The viewer then gets up from the couch and says, “Oh, disgusting. Fuck you, Game of Thrones.”
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15. SHAE

She is described as having small breasts, dark hair and dark eyes. Shae is a prostitute who becomes the lover of Tyrion Lannister in A Game of Thrones. Little is known of her background other than the fact that she became a prostitute after escaping sexual abuse by her father.
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14. You know nothing JON SNOW-YIGRITTE

Ygritte is part of a wildling scouting party in Rattleshirt's band, including Orell and one other, that is ambushed in the Skirling Pass by men of the Night's Watch including Jon Snow andStonesnake. Her companions are slain, but Ygritte is spared as Jon balks at killing a woman. She yields, but only offers very minimal information. As she and Jon wait for the arrival ofQhorin Halfhand, Jon reveals to her that he is Ned Stark's bastard, and she tells him the story of Bael the Bard, a song which insinuates that the Starks have wildling blood as well. Jon scoffs at this idea, calling the Bard a liar. She shrugs it off and is brought to the Halfhand, who instructs Jon to do what must be done with her. Presuming that to be an order to kill her, Jon nevertheless lets her escape.
She is present when Jon Snow, under Qhorin's implicit command, slays the Halfhand and purports to turn his cloak.
After Jon meets with Mance Rayder and convinces him he has turned his cloak in truth, he is told to ride with Tormund Giantsbane. Ygritte follows him to Tormund's company and routinely beds down next to him, though he initially refuses her advances.
When the wildling band, now well on its way to the Wall, comes upon the scene of the slaughter at the Fist of the First Men, Mance is furious with Jon as he did not warn him of the Night's Watch force there. To save Jon, Ygritte lies and tells Mance that the two are sexually involved. This knowledge helps to convince Mance that Jon has turned his cloak in truth. That night, Ygritte seduces him, and the two begin a torrid, intensely sexual affair as they march for the Wall.
When Jon is commanded to join with Styr as part of the advance party for the assault on the Wall, which is to scale the Wall and attack Castle Black from the south, Ygritte joins him.
South of the Wall, at Queenscrown, Styr's band comes upon a lone knight, whom they capture. Styr, still suspicious of Jon's true loyalties, orders Jon to slay the man. Jon refuses, and Ygritte slits the man's throat instead. In the confusion created by a raging thunderstorm and the sudden emergence of Summer, Bran Stark's direwolf, Jon escapes, despite Ygritte shooting him in the leg with an arrow as he starts to run.
Ygritte continues to Castle Black with Styr's band, but Jon has forewarned the castle of their arrival and the attack is thwarted. Along with the rest of the wildling band, Ygritte is killed, mortally wounded by an arrow. Jon finds her on the battlefield, where she dies in his arms
Ygritte was our great hope. We prayed that the showrunners would defy the books and give her more time in Westeros (what with Daenerys’ sleepy storyline and Margaery gone the way of Ser Pounce (that is, hidden from our view), we’re short on incredible female characters.We needed Ygritte. 
When she finally found Jon Snow and looked upon him with arrow aimed at his heart, she was everything we’d always wanted her to be. You could see the love in her eyes, yet she still held her own beliefs and goals above all. Then, when the boy from the Nights Watch shot her with an arrow, she almost melted. All that was left was her love for Jon Snow, as would be the case for anyone living through her last few seconds on Earth. Jon held her close as her breath left her and she used her final puffs of air to tell him she wished they’d stayed in the cave where they consummated their love before ending her life with the words that made us love her forever: “You know nothing, Jon Snow.” And there was not a dry eye in all of America with those final words as flames surrounded the grieving Jon and his lover’s limp body. 
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29 Ekim 2014 Çarşamba

13. The more people you love, the weaker you are.-CERSEI LANNISTER

“The Winds of Winter” is the forthcoming sixth installment in George R.R. Martin’s famed “A Song of Ice and Fire” series. Despite the enthusiastic fan fare behind the series, George R.R. Martin has been in the process of writing the book for more than 3 years, and there is no confirmed release date in sight. When fans last had a glimpse inside the world of Westeros, Cersei’s position in Kings Landing had changed dramatically from when we first met her as the reigning Queen of the Seven Kingdoms, alongside her brutish husband King Robert Baratheon.
  In the fifth book “A Dance of Dragons” Cersei power and position started to slip from her grasp, her scheming against Margeary Tyrell backfired. In her attempt to have the new, younger and perhaps even more beautiful Queen framed for adultery and high treason, she is in turn arrested by the High Septon and jailed. Most fans agree that “The Winds of Winter” will complete the demise of Cersei Lannister, despite her lioness pride and prowess, she has too many impending threats and not nearly enough allies. At this point in the series, Cersei must contend with threats from the Tyrells, Aegon VI, the High Septon and of course the outcome of her trial by combat seriously determines whether she lives or dies.
Fans agree that the trial by combat will be the most likely be the end to Cersei, and not because they think her mysterious champion Ser Robert Strong will lose, in fact, he will most likely win, but not before being unmasked. Ser Robert Strong is an unknown knight added to the Kingsguard by King Tommenunder the advisement of Cersei’s only ally Qyburn. In the epilogue of “A Dance of Dragons” Kevan Lannister remembers that Meryn Trant claimed that Ser Robert Strong never ate or drank, and Boros Blount said he had never seen him use the privy.
Most theories claim that Strong is in fact a re-animated undead Mountain, who has now loyally servedthe Lannisters both in life and in death. Fans have seen the inclusion supernatural beings in the “Game of Thrones” series before, and despite having varying origins, these creatures all share one important quality in common—they are all extremely difficult to kill. So like Beric Dondarrion, Lady Stoneheart, and White Walkers, Ser Robert Strong will be difficult to complete in this trial by combat. But the problem still remains that if Ser Robert Strong is exposed as being undead, the whole trial will be invalid.
  If his undead origins were exposed during or after the trial, Cersei would be facing even more serious charges in the laws of the Faith. The former Queen regent would face accusations of breaking sacred lawsagainst necromancy from The Faith, meaning her position and more over the Lannisters rule in Kings Landing would come to an end. The continually growing militant of the Faith would revolt against the Lannisters, rendering their control of the Capital useless. The fall of the Lannisters will most likely lead to the rise of the Tyrells, who have always been viewed in a favorable light by those of the Faith and the common folk. After Cersei’s fall and their relinquishment of the crown, Cersei’s children will most likely not fair well in the Capital under the Tyrell’s rule. Cersei will witness the death of all three of her children.
As for love with his brother,
Like all great twin characters in literature, Cersei and Jaime Lannister are incredibly devoted to each other. Unlike the other greats, they also have a lot of sex – with each other. Yikes. There's not much weirder than twincest, especially once you add in the fact that they have kids.
We would love to add a reality check to this (like we've done with most of the Starks) and tell you how old Cersei and Jaime are, but we don't get that information in this book. We also don't get information about their favorite colors or what songs they like to sing. There's actually a lot of information that we don't get about Cersei and Jaime Lannister, because this book isn't really about them. So if you remember the whole incestuous twins thing – and something tells us you will –, you're all set.
My opinion about Cersei is that Without trying to shoehorn my agenda here, I'll piggyback on Robert being more responsible for Joffrey's sociopath tendencies than most readers currently think.
First and foremost, three of the four concerned people are dead. So any new information will have to come in TWOW. (GRRM hassaid we'll learn even more of Robert's Rebellion in the remaining tomes but alas, we wait.)
But what we can do is infer how Joffrey's upbringing might have gone. He's not the most inventive chap, unless he wrote the Dwarfing of Five Kings himself, so I think a lot of his most debased behavior is mimicry.
  • He has his Kingsguard beat Sansa. We can be fairly certain he's seen Robert hit his mother. Cersei, however, has taught him he mustn't hit his queen. Based on his lack of forethought and intelligence, Joff undoubtedly thinks this is a perfectly just workaround.
  • Joff's posturing and tough talk is practically him channeling Robert. His cruelty to animals is more twisted than Robert's affinity for hunting and mounted trophies, certainly, but you can see in his behavior equal parts wanting to emulate Robert's prowess for killing, and Cersei's inability for empathy.
  • Joff's disdain for, or loathsome behavior towards, his siblings is Robert writ young. Over and over we hear of the lack of brotherly love between the Baratheons. Now, we don't hear of torturing each other's pets or anything, but Stannis does kill his own brother for the throne. We chalk that up to Stannis and his red woman and his coldblooded, rule-obsessed nature, but what do we think Robert would have thought of the whole fiasco? I think Robert would be appalled with Stannis for using shadowspawn, but conclude that Renly had betrayed the laws of succession and thus committed treason.
I belabor the point because I've come to view Robert in a rather poor light. From his lack of remorse towards Elia's children, ordering the assassination of a pregnant Dany, and Sansa and Lady at the Darry, we see through Ned just how monstrous Robert can be.
In fact, I don't think Robert and Tywin, the two most influential people in Cersei's life (imo) are that different. Tywin was willing to break the laws of gods and men, and commit legendary brutalities, to vanquish his enemies. Robert was not above the murder of innocent infants. While he didn't commit the murders himself, he pretty much voiced support of the done deed. In one word: ruthless. Both men. One on the battlefield, the other in the command tent/ solar.
So through Cersei's lens of paranoia, cooled by Tywin's constant scheming and maneuvering, and hardened by the isolation of being Robert's queen, Joff is at the breast and suckling from a variety of sociopathic figures: Robert's ultra escapade of misogyny and brutality, and Tywin's power wielding-obsessed path of control.
Since we see Cersei's mind, it's far too easy to attribute much of the mess that is Joff at her doorstep. But like every human ever, she's also a product of her environment: Tywin's eldest child for 18 years. Robert's wife for 16 years. Two colossal figures she looked up to during her formative years.
This line of thought can lead down the rabbit hole, however. But we know Tywin is not like his father, and Robert fostered with Jon Arryn, a man whose advice he did not always heed.
Sorry for focusing on the men when this was supposed to be about Cersei. I just feel strongly that she is equal parts Tywin's ruthlessness and Robert's brutality, resulting in a toxic mess of a woman trying to control child Kings with no one to depend on but herself.





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12. There are no men like me. There's only me.-JAIME LANNISTER



Jaime Lannister is an arrogant motherfucker. He will cut you with a smile and be satisfied when you’re crawling on your hands and knees, begging for mercy. He is self-absorbed and egotistically vain. He is selfish and fundamentally uncaring, and he doesn’t really give a fuck about anything that is not what he deems important. let me tell you what he thinks is important:

  1. His family. (Namely his sister, his brother, his father; marginally, everyone else. Quite marginally.)
  2. His duelling abilities.
  3. Other people’s fear of him.
  4. Pride.
Now, in order.
Family is unquestionably the most important, the fuel of Jaime Lannister’s actions, ever since he was born. He came into the world holding Cersei’s ankle, and loved her more than he loved himself. He loved his little brother when everyone else thought him a monster. He loved his father in his own way, because he had to and it was expected of him, and because the family name is all that matters, and if there is something Tywin taught his children, it’s just that: family comes before everything. Jaime took that quite literally, as we know. [But we’re not here to discuss Jaime and Cersei (SURPRISE! SHOCK!); though one could object how in order to speak of Jaime one can’t avoid talking about his relationship with Cersei, I’ll try and keep it less prominent for this premise, knowing I will have to delve into it further through the post.

This is all good and fair, but Jaime Lannister has to be seen in more than just the light his family casts upon him (or shadow, according to points of view). The more defining characteristic is surely enough his talent with a sword, and the fact that he is (in)famously one of the most talented duellers of the Seven Kingdoms, ever since the golden era of knights such as the Sword of the Morning. He was knighted when he was 15 years old, and even though he was only appointed a Kingsguard because of Aerys’ petty plans of control over Tywin, one cannot argue that the boy he was deserved it. Jaime Lannister had dreams of glory and greatness, and that was an important step. HOWEVER: “He had joined the Kingsguard for love, of course.” Dreams or not, it is impossible to ignore this, and so we take it into consideration for what it is, and that is ultimate proof of Cersei’s grip on Jaime ever since they were very young. Jaime joins the Kingsguard for Cersei, but ultimately their plans don’t work out and Jaime is alone in King’s Landing, with his father and sister long gone, miles away, safe in Casterly Rock, while he is matter-of-factly a pawn, a political hostage of the Mad King. This is undoubtedly the most important moment of Jaime Lannister’s youth, the moment that turned the boy who wanted to be Arthur Dayne into “the Smiling Knight, instead”. When faced with a choice between his vows and his own blood, Jaime chooses family (see point 1) and kills Aerys, becomes the Kingslayer and loses the enchantment of a member of the Kingsguard. He’s always been a killer (he killed, when he was only just a squire), but after Aerys’ murder, he becomes the killer. Everything he did before was erased with the Targaryen’s royal blood that ran down his blade, and suddenly Jaime Lannister became an oathbreaker rather than a knight. But no matter what other people thought, he was a knight still, he thought himself a knight. He protected his family, and that alone was validation enough. He hates the nickname Kingslayer, but he learns to live with it, strong of what he knows, things the smallfolk are not privy to: not everyone knows what really happened in that throne room, but he doesn’t care to tell the tale. He doesn’t care for anything, because in his heart he knows he did what he was meant to do, the right thing.
Which brings us to point three, and that is fear, his (nick)name preceeding him, the aura of terror that surrounds him, because what is scarier than a member of the Kingsguard forsaking every vow he took? What’s scarier than a cold-blooded murder, a man who killed an old man stabbing him in the back, with no ounce of honour or respect or conscience? Someone like Ned Stark would not have been able to live with it, but Jaime Lannister (not unlike Tyrion) makes it his armour, and he basks in that glory, bathes in the fear he sees in other people’s eyes. He can live with a lack of honour, he can live with a shitty reputation, as long as he knows people will take a step back when he walks by: to quote Machiavelli, “It is better to be feared than loved.”
And wow, look at how this premise is flowing, because here we are at point 4, Jaime Lannister’s pride. A consequence of all the previous elements, it’s his biggest flaw (which will eat away at his soul from halfway through “A storm of swords” to the very last drop “A dance with dragons”). As proud as Cersei, as proud as Tyrion, and way more proud than Tyrion, Lancel, Kevan and all the other Lannisters, Jaime fights for pride where honour has failed and left him forever. It’s a matter of overcompensation, a search for balance of sorts. A knight must fight for something: he fights for Cersei, and he fights for Tyrion, but mostly he fights for himself and what he wants to stand for. (Please notice, what he wants to stand for, not simply what he stands for. because what Jaime Lannister wants to be is very different from what he actually is. In his heart he is way more ruthless than he actually is. People often say Tyrion is the good Lannister: as much as I hate that expression, I think it’s wrong, and the most compassionate Lannister is Jaime. If compassionate is even a thing that can ever go together with a Lannister character, which is questionable.)

A STORM OF SWORDS
Undoubtedly Jaime’s book, along with a few others, “A storm of swords” covers the most controversial moment of Jaime’s life. Controversial, because there are too many takes on what really happens in this book, which makes me wonder just how people are reading it, and how some people can be so blatantly blind to the obviousness of his arc. But I digress, I don’t want to be a bitch in this post, I’ll try and keep judgment to a minimum

(Thought, seriously dudes. Seriously. Redemption? Seriously. SERIOUSLY.)
After being captive for a long time, Jaime is freed by Catelyn and put in Brienne’s trusted hands: the goal is exchanging Sansa and Arya for Jaime, taking advantage of Tyrion’s sworn vow. So, for most of the book, Jaime is on a journey of sorts, with a woman who is his antithesis on every level. A knight, just like he is, but one who still believes in the charming fairytale of the spotless, pure knight, everything Jaime forgot a long time ago (if he ever truly believed in it). Jaime’s journey has deep roots in the confrontation with Brienne, because Jaime is truly faced with all that he is not but should have been according to public opinion, and that irks him. He rejects it because he knows it’s all lies, he knows Brienne is living a lie, and he knows she will learn it sooner rather than later, just like he did. But she keeps him safe, she does her duty, and she does it because her vow is the only thing that matters.
Jaime may not understand it, may not accept it, and he might even find it ridiculous, but part of him is amused at how strongly she believes in it. He is much more experienced than her, and he knows things Brienne has never known nor witnessed, he has fought wars in more than one battlefield, words that are not necessarily fought with swords. he’s seen how ugly the world can be, and Brienne has too but not as much as him. He looks at her with the mocking patronizing attitude of a father glancing down at his child while he tells of their first riding lesson. They don’t know how many times they will fall, but he does, because he fell before, and broke a couple of bones in the process. It’s poetic, and it’s heartwarming for a while, until it becomes tragic.
As a friend of mine always says, “It’s all fun and games until someone loses a hand.”
Jaime and Brienne are captured by the Brave Companions, and they amputate Jaime’s fighting hand, thus wounding him in two of the aforementioned characteristics: his duelling abilities and people’s fear of him. Without his sword hand, Jaime loses more than just five fingers. He loses half of what he is. It’s pure mathematic. If you imagine Jaime Lannister as a Vienn diagram, half of it is completely erased. He can’t fight with his left hand and people no longer fear him because he becomes the shadow of what he was.
A very moving excerpt of the book, following the amputation, says:
"Jaime’s walls were gone. They had taken his hand, they had taken his sword hand, and without it he was nothing. The other was no good to him. Since the time he could walk, his left arm had been his shield arm, no more. It was his right hand that made him a knight; his right arm that made him a man.”
And also, a little earlier:
“Let them kill me, he thought, so long as I die fighting, a blade in hand.”
This is just a few of the parts that state how deeply the loss of his hand cuts through Jaime’s being, way beyond the physical pain, which is also unsufferable. Through the festering wound, what he thinks about is the loss of his manhood, the one thing he was good at. The deconstruction of Jaime Lannister’s character starts with this, but it’s only destined to grow worse and worse.

After many misadventures, Jaime Lannister manages reaching King’s Landing, where a grieving sister, a dead son and an imprisoned brother await him. We are towards the end of “A storm of swords”, and even though what Jaime left behind was far from an ideal situation, what he finds upon his return is utter and total devastation; it doesn’t help that he is only half the man he used to be, he is defeated and his slow process of self-loathing is in full swing. He hates himself because he wasn’t there, hates himself because he is not able to protect Cersei and Tyrion, and he is angry because without his sword hand and after such a long absence, people no longer know him, nor fear him. There is nothing left for him, he is no longer a feared murderer, he is just the shamed Kingslayer without a hand.

In King’s Landing, he faces the same fears that had been chipping away at his soul during his way back: he is the Lord Commander of the Kingsguard, but how can he hope to be as good as Selmy or Dayne without his hand? He doesn’t tell anyone that his left hand is completely useless, he hides behind smugness and bitter arrogance, that an outsider might mistake for the same old no-fucks-given attitude, but for someone who knows him (and we know him, as readers, because we have been inside his head) is obviously just a shield to keep others from knowing the true capacity of his sense of failure.

Jaime Lannister shows talent, as a Lord Commander. He takes some decisions that are absolutely worthy of the noble knights that came before him, but it’s not enough. He is not a strategist, he is a fighter, and the loss of his hand has made him bitter about everything. Jaime Lannister was sarcastic, ironic funny, witty even, before he fell in the Starks’ hands. In “A storm of swords” he still laughs at people, and he still keeps that unique quality to his thoughts that often make the reader think of his chapters as funny and amusing: little do most people realize, that that humour is not Jaime Lannister as we know, it’s the resigned desperation of a man who has lost everything and laughs about it because it’s the only thing that keeps him from crumbling. You think it funny, I honestly think it tragic and absolutely soul-crushing. But maybe I am biased, because Jaime Lannister and Cersei lannister are my favourite characters. As I said very early in this post, feel free to ignore the ramblings (though, if you’ve come this far, I have a mind that you agree with me, at least in soem capacity.)
Remember when I spoke of maths and diagrams? And remember the four elements I listed as components of Jaime Lannister? Right now we have: family, pride. Two down, two to go.

In King’s Landing, Jaime realizes his family is facing self-destruction. His father disowns him because Jaime is tired of doing his bidding, Cersei is slowly losing her mind to grief and paranoia, and even his little brother is in a small cell accused with kinslaying and kingslaying, and Jaime is not sure where to turn. Because yes, Tyrion and Cersei always turned to him, but it’s also true the opposite: Jaime is only as strong as his family allows him to be. And his family is growing apart, destroying itself, with their own hands. Even Cersei, whom he fought so hard to come back to, grows distant: she is afraid he is no longer the man she needs him to be, that he is changed while in reality she is the one who has changed. And eventually Tyrion turns his back on him too when Jaime confesses that the one thing he allegedly did that had earned him Tyrion’s unquestioned trust was a lie, a plot, a scheme of Tywin’s that’s he’d agreed to. He loses Tyrion, he loses Tywin (at the end of ASOS) and he is fairly sure he is well on his way to losing his sister/lover/reason/everything. Not to mention the stunning revelation that Cersei has been sleeping with other people. (Of course, by now he is too angry and blind to the reasons, and he doesn’t see why she did it, he only sees the betrayal, as is often the case when a person cheats on another.)

A FEAST FOR CROWS

How long can a person go on before he breaks, when the only thing left to him is pride? Add anger to it, and you’ll have a lethal mix that will drastically upset even the strongest characters. It’s maths, really. I will never get tired of repeating this: it’s basilar mathematics. You take away, bit after bit: that’s what deconstruction is, and Jaime’s deconstruction is majestically put in action. It is, probably, the best deconstruction of the whole arc, because it doesn’t include magical elements and stuff. It’s just a game of betrayals and discoveries, a political chess game that Jaime Lannister loses so fucking epically that in the end he is left with nothing but a few angry pawn, and they are nothing.
With Tywin dead and Tyrion gone, the two people that we need to analyse are Jaime and Cersei, obviously. “A feast for crows”, with the introduction of Cersei’s POV alongside Jaime’s, gives us further insight to what really happens in King’s Landing between the two of them. It’s a terrible face off of angry people, a battle of egos that positively roar at each other, each firm on their own beliefs, unwilling to take a step towards each other. They try, once or twice, but it’s feeble, it’s appearance, it’s just to convince themselves that they can keep it together, that they can control it. But they can’t. Cersei is drowning in her deliriums, Jaime is drowning in his depression.
Many people don’t seem to realize that halfway through “A feast for crows” Jaime falls prey of depression. He hides it, he makes a joke and the reader thinks everything is okay, but Jaime has nothing left to live for. It’s very important, when you think of how likely it is, for the fulfillment of the prophecy, that Jaime will end up killing himself after he’s killed Cersei.
"A storm of swords" was easier to write about because I am in the middle of my reread, "A feast for crows" is a bit more foggy because it’s been a while; but it is my favourite book of the series because of all of this. Cersei and Jaime being my favourite characters, this it the book that watches closely as they hurl themselves towards their own downfall, and as a trademark sadist who deeply enjoys as much as she hates her favourite characters’ suffering, it’s hardly difficult to see that it is the turning point for both of them.
Jaime leaves King’s Landing, eventually. One might say he is driven away by his own anger: he leaves on Kingsguard duty, he leaves for the siege of Riverrun (iirc?). the details don’t matter, what matters is that he leaves and during his time away from king’s Landing he thinks, and thinks, and thinks. And he always thinks of the same two things: his sword hand and his sister. The two things he loved the most that are lost to him. And it is with a mixture of nostalgia and anger and desperation that he thinks about it, during the nights where he forces Ser Payne to fight him to train his left hand. He longs for Cersei and he hates her, he hates her so intensely for what she did and for what she has become, for lettng herself be overpowered by the demons inside her head. He hates her because their love is so strong and unhealthy, to the point of obsession.
[Please notice that in the same page, Jaime thinks of Cersei as the “queen of whores” only to later think “I don’t have a wife, I have a sister”. Like, literally a bunch of lines after he calls her a whore he calls her his wife. That’s telling of the confusion and dicotomy that stirs his whole being.]
I like to call Jaime’s mission his “hiatus from King’s Landing”. You know how we bloggers sometimes need to get away from here, go on hiatus for a week, ten days, two weeks? Because people get on our nerves, because we don’t like the way people respond to things, whatever the reason, we get away from it, because sometimes being away helps. That’s exactly what Jaime does. He gets away from Cersei, Tommen, the Tyrells, the Kingsguard, Kevan, everyone, because he is tired and depressed. He will take anything, not to think of what he left behind, of the ghost of the sister he can’t help but love despite her mental downfall.
This is when he also offers to fling Edmure Tully’s baby against Riverrun’s walls, if the Tullys don’t give in, with a nice trebuchet. (Actually I don’t remmeber if this was in AFFC or ADWD, but still. Nice person, huh? I can totally see the redempton there.)

A DANCE WITH DRAGONS
We see little of Jaime during this book, but he does pop up towards the end, in full angry douchebag mode, the same way we left him at the end of “A feast for crows”. Cersei’s cry for help falls on deaf ears, for the same reasons why he left King’s Landing in the first place: he is tired of everything, tired of being looked down on, tired of being pushed away, so much that when she tries to rope him back in he’s the one to tug at the chord instead. The letter burns, and so does Jaime’s anger. it burns bright hot, it stings with betrayal and bitterness and sadness and he can’t bring himself to get over it because he is a man wounded and in despair.
Remember the calculation? Remember the elements? Remember what remained?
Pride.
That’s why he throws the letter in the fire. How many of us are guilty of the same crime? I, for one, can say I totally am. I did disregard people just because they hurt me first. And not because I didn’t love them, but because pride is the worst dormant beast that dwells in the human being, it fuels anger and it makes us do things we will regret more often than not. I will sya this again, Jaime is angry and depressed and everything he was has been destroyed, every single element, until only his pride was left to him, the one thing he could armour himself in to pretend everything was alright. A smug neglect, an arrogant blindfold to all that surrounds him.
And when he follows Brienne, it’s not because he prefers to go with her rather than running to Cersei: it’s because, as I said, he will take anything that will get him away from the terror that awaits in King’s Landing, away from Cersei and all that she has become, away from that duty which he knows fully well he can not sustain without his sword hand. He leaves the camp and he follows Brienne because it’s a way of escaping the bad and the ugly.

A CONCLUSION

I don’t know what will happen to Jaime, but I have my theories. Theories that need Jaime to come back to King’s Landing, or at least meet Cersei one last time, because I am convinced he is the valonqar, according to the very common opinion that the prophecy is always the opposite of what the prophetèe (is it a word?) thinks. Cersei is so sure that Tyrion is the valonqar, therefore it will be Jaime. So I am sure whatever happens with Lady Stoneheart, Jaime will live, because he has a much bigger arc to fulfill. And as I previously stated, when I mentioned Jaime’s depression, it makes sense that he will die eventually, very possibly by his own hand.
We have reached the end of this…essay. It is a fucking essay oh my God, if you actually read all of it I am going to send flowers or something, because it’s really long and I ramble a lot. Anyway yes, this is the end, but I want to close with a simple request.
Stop defining Jaime’s arc as a “path to redemption”. it is not. If we could replace that expression with “path to acceptance” I will sleep better at night, and it will spare me a lot of bitter bile and bad blood.

What is your thoughts about Jamie Lannister?
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